LAUDATIO KROL PDF

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It has appeared on numerous competition lists, including the International Horn Competition of America. For such a popular piece — at least among horn players — there seems to be very little in the way of program notes. Though it may not be a literal quotation, the melody at this point in the piece is very reminiscent of Gregorian chant, a connection that many performers often miss.

The recording is fabulous, by the way! Laudatio, written for Hermann Baumann, opens with a motif which represents a spiritual question. What follows is a journey, a search for understanding. The question reappears many times, often following the nearly-schizophrenic emotional roller coaster of musical events. Prayer ensues twice, the question is asked again in fragmented form, and an authentic cadence brings the listener to the final answer.

For most horn students, this piece is among the first unaccompanied works studied and performed. It appears regularly as a required piece for competitions. Professor Stebleton has clearly given her approach to this work a lot of thought, and it certainly shows in her fine recording. It is even more crucial in unaccompanied works for the performer to have a well-defined plan, from individual phrases to the work as a whole a topic I plan to cover further in a future post.

If you are working on this piece I highly recommend listening to several different recordings, as Laudatio comes off well with multiple interpretations. Here are a few links to recordings. Horn Voyage Zbigniew Zuk. Your name, email address, and comment are required. We will not publish your email. You are commenting using your WordPress. You are commenting using your Google account. You are commenting using your Twitter account.

You are commenting using your Facebook account. Notify me of new comments via email. Notify me of new posts via email. This site uses Akismet to reduce spam. Learn how your comment data is processed. Like Like. It is a great piece, and gets performed frequently by both students and […]. Bernhard Krol: Laudatio Laudatio, written for Hermann Baumann, opens with a motif which represents a spiritual question. Like this: Like Loading Posted by hornworld.

Categories: Performing , Reference , Repertoire. Cancel reply Your name, email address, and comment are required. Enter your comment here Fill in your details below or click an icon to log in:. Email required Address never made public. Name required. It is a great piece, and gets performed frequently by both students and […] Like Like.

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Laudatio : horn solo

It is a standard work in the repertoire and appears often on competition lists. It is playable by high school students and is a good introduction to playing unaccompanied music. The structure of the work is based on its title, meaning to praise, or give commendation. The piece, divided into three large sections, does not have an indicated meter. Pacing is suggested by the use of double bars and fermatas. The opening motif, notably its minor second interval, is the most important element of the work, as it sets the tone for the rest of the piece.

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Krol, Bernhard - Laudatio

French Horn French Horn. Composed by Bernhard Krol. This name will appear next to your review. Leave it blank if you wish to appear as "Anonymous". Used to contact you regarding your review. If you do not wish to be contacted, leave it blank. Tell a friend or remind yourself about this product.

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Bernhard Krol’s Laudatio for Solo Horn

It has appeared on numerous competition lists, including the International Horn Competition of America. For such a popular piece — at least among horn players — there seems to be very little in the way of program notes. Though it may not be a literal quotation, the melody at this point in the piece is very reminiscent of Gregorian chant, a connection that many performers often miss. The recording is fabulous, by the way! Laudatio, written for Hermann Baumann, opens with a motif which represents a spiritual question. What follows is a journey, a search for understanding.

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